There's a new art form on the rise. Generative art has existed since the 1960s, but the new on-chain generative art platforms are pushing the medium in an exciting new direction. While many of the generative techniques are the same, the goals for the program output are wildly different from before. The direct path from the script to the viewer, as well as the large number of iterations, encourages artists to create a special class of artistic algorithm, what I'll refer to here as long-form generativism. In this essay, I'll discuss what makes these algorithms different, and how we can analyze their quality.